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Armenian Paris: 1915-40During the period between two world wars, Paris used to be a world center fculture, where everyone could get the opportunity to live, create and become famous. Despite of that, it was still very difficult to settle down in this cultural crater, obtain fame next to other prominent figures, ensure solid presence, which was so successfully achieved by our artists. Hayk Hambardzumyan spoke about the Armenian cultural Paris, the capacity of our art to respond global trends and self-organization with culturologist Ruben Angaladian. |
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The Present and Prospects of Literary TranslationA significant growth in translations of 20th century’s most prominent literature into Armenian, which we see recently, is the product of both the translators and also the publishing companies’ initiatives and undertakings. New translations help conduce to the readers’ focus and interest, as well as promote the development of literature as a whole. Hayk Hambardzumyan spoke about the specifics of translating the novel “To Kill a Mockingbird” by Harper Lee, which was recently offered to the readers, as well as about the issues of literary translation with writer, translator Aram Arsenyan. |
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Light and Shadow of the history of Soviet ArmeniaSoviet era of Armenian history was one of economic and cultural upsurge, industrial achievements, while on the other hand, it is undeniable that it was all accompanied with the most brutal oppressions, exile and extinction of the intellectuals and abuse of national values. The grounds for the first and second above-mentioned claims served history text-books, scientific researches. How has it been studied so far, and what principles should be applied to study and present the history of second republic of Armenia, how should the 70-year old period of the Armenian history be valued? Hayk Hambardzumyan spoke about these topics with Ara Sanjian, Director of the Armenian Research Center of the University of Michigan-Dearborn. |
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Golden Apricot and the Vision of Armenian Films12th International Festival Golden Apricot is set off in Yerevan. The long-waited feast of films promises film premieres, master classes, meetings with famous figures in cinematography. However, it raises concerns as to how it affects the development of Armenian films, contributes to Armenian film production and proclamation, establishment of a new generation involved in filmmaking.
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Armenian “Zham” in MoscowPeriodic press has traditionally played an important role in preserving national identity, representing national culture and values within the community and among foreigners. At present, the development of internet seem to have changed this situation, yet the periodicals keep being published. What is the demand for Armenian cultural magazines published abroad, what plans and objectives do they pursue?
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Awaiting Professional SayArt criticism used to have different functions, objectives and significance in different times. Theoretical literature defines criticism as the organizer of creative process, acting as a mediator between the reality and the artist, the art and the reader, the listener and the viewer. What functions and significance does the critical-professional word have today, who should it be addressed and is there respective environment to use that word in?
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Armenian socialists and the GenocideOn June 15, 1915, 20 leaders of Social Democrat Hunchakian Party were executed in the square Bayazet of Constantinople. What was the reason for hanging them, how realistic their plans were and was the socialistic ideology beneficial for the solution of the Armenian question?
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Image of DisasterThe massacres, and later the Genocide of the Western Armenians left deep and incurable traces on the psychology and world view of our nation, found their reflection in the literature and art. Painters of various generations, painters of diverse artistic principles, starting from Hovhannes Ayvazovski up to ourday painters, have addressed this topic. How was the topic of Genocide fulfilled in the Armenian painting, how is it possible, if ever, to picture?
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Modern Painting: Why and How?To fulfill the creative capacities of young artists, along with other conditions, international cooperation, various exchange program and joint work are of great importance. What will the change of environment, his works and exhibitions abroad, bring to the Armenian painter? Why and how does the young Armenian artist create in Armenia at present? Hayk Hambardzumyan spoke about these issues with painter Tigran Kirakosyan. |
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Unpublished Inheritence of Paruyr SevakIn 2015, after many decades in obscurity, the novel “Amanej” by Paruyr Sevak was published. This was an unexpected revelation for the fans of Sevak’s work. Hayk Hambardzumyan spoke about the novel, as well as the timeliness or modernity of Sevak’s compositions with literary critic Sevak Ghazaryan. |
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Komitas Museum-Institute and Komitas StudiesWhy was a museum dedicated to Komitas opened in Yerevan? How do the museum and scientific institute match, what can such a center on Komitas studies serve for, and what are the priorities of such studies?
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The Art of Sargis MuradyanThe painting of Sargis Muradyan has its unique place in the history of Soviet Armenian painting. In 2014, a gallery named after the painter, opened its doors in Yerevan. Hayk Hambardzumyan spoke about the operation of Museum, specifics of the painter’s art with the founder of museum Zaruhi Muradyan. |